Remember Every Detail in an Instant

There is a great exhibition at the Helen Day Art Center which I found out about and and uploaded a few images at the very last minute.  I wish I had taken my cell phone photography more seriously, but then again, that’s the beauty of the cell phone.  It’s a memory marker.  It’s a great thing to document the cats and chickens, remember a good dinner.  (I didn’t enter my cat or dinner photos, cute as my cats and chickens are.)

I have a few landscapes (of course) which are more like notes on an idea than good work. And I have a couple of panoramas made right in my iPhone with software by Debacle.  The goal of the software is to stitch together images seamlessly,  but the temptation to document in time rather than space and imply a narrative were in these images. Here are two, I might post more.  They are actually huge at 55″ so these are paired down a bit.  You’ll need to click on my images here to see them at a decent size. There are some interesting photographs in this exhibition, some mundane, some spectacular.  You can see all the entries on Picassa.

Curated by Odin Cathcart
Juried by Eirik Johnson

Cell phone cameras are the relentless eye of the global simulacra. Simple and everywhere, cell phone cameras have transformed how photography is practiced. Helen Day Art Center announces the first of its kind international call to cell phone artists. We seek entries that reveal the creative mind through this ubiquitous medium for a ten-week exhibition opening September 25th, 2009. Entries will be juried by the acclaimed photographer, Eirik Johnson.

This exhibition aims to exploit two unique properties of an emerging niché of digital photography — cell phone photography. The first is the ubiquity of the form. Nearly all cell phones contain cameras, making photography persistently available to novice and professional artists alike. How has this ‘availability’ changed photography? The second property this exhibition explores are the limits and possibilities of the medium. How will artists harness this new medium? What will the the relentless eye of billions of artists reveal?

Marple Tea (Remember every detail in an instant)

These pieces will be at the Blandin Foundation for the next year.

Werner 9/6 at 7:21:08

Werner 9/6 at 7:09:17

Continental Divide 7/14 at 7:02:46

Continental Divide 7/11 at 6:32:00

Faculty Exhibit.  Talley Gallery, Bemidji State University May-September 2009

NEW WORK.  Marley Kaul, Butch Holden, Marlon Davidson, Don Knudson, Vivienne Morgan.  
BCAC, Bemidji MN June, July

BSU Faculty Exhibit.  McCrostie Art Center, Grand Rapids  July

Double Vision.  Park Square Theatre, St Paul MN.  May 20-June 25

The Northwest Art Center, Minot ND has a biennial Women’s Invitational Exhibition, and this year I am showing a video installation. 

Dust. To Dust
While more men now clean the house than in previous generations, I would wager that it’s women who still put more time, or perhaps conviction, into this grunt job.  However, according to the vagaries of current web research, women clean less often now than their mothers and grandmothers, (around 10 hours per week less), and more women are happier with the task of cleaning because they have thankfully/heartily embraced lower standards of cleanliness.  The “White Glove Test” has turned to gray.

Dust to Dust is a collection of women’s thoughts, stories, truisms, about cleaning, and dubious cleaning tips.  Contributors are: Jess Wilimek, Alice Strand, Lori Forshay Donnay, Georgine Gross, Barbara Olsen, Gayle Streier, Lorie Yourd, Pat Rall, Gayle Rixen, Geri Wilimek, Paula Swenson and Vivienne Morgan.

 Click to view  Dust.  To Dust  This movie is 844 megs and will take some time to download, approximately ten to thirty minutes. 

November to January 2009.  A Sense of Place at the North Dakota Museum of Art. http://ndmoa.com/PastEx/Pastexhibitions.html

After living in the United States for nearly thirty years, I still define myself as English. I almost live in two worlds, watching BBC television, listening to BBC Radio 4: all my news and sense of America is filtered through those sources. It keeps me happy to remain connected, but when I leave my house, the whole wild wooded landscape of Northern Minnesota tells me plainly: I’m not in England anymore. Of all things English, my identity is most closely tied to the English landscape. This series of photographs is part of my conscious effort to become connected to this country, and this land, to feel truly present in my surrounding landscape. I immersed myself in the local landscape.

See selected images from  the exhibition, A Sense of Place